Artemisia Gentileschi' s Self-Portrait as the Allegory of.
Taking advantage of the fact that 'Painting' was personified by a female figure, Artemisia Gentileschi has combined in her self-portrait the theoretical and practical concepts of painting while at the same time drawing attention to her paradoxical status as a female artist in seventeenth-century society.
The Artemisia Gentileschi article essentially follows Artemisia’s life and gives a biography of everything she went through and the kind of effect her paintings had. It gives insight into her life and takes you back to when she was a child, giving you a better understanding of why she became a feminist.
A legendary figure and one of the first female artists to pursue a career on the same terms as men, Baroque painter Artemisia Gentileschi’s work is often overshadowed by the conflicting narratives that surround her, especially her rape by a colleague of her father at the age of 17 and the notorious trial that followed. Like her father, Orazio, with whom she trained, Gentileschi painted in.
Artemisia Gentileschi overcame trauma and torture to become the greatest female painter of the Baroque Artemisia Gentileschi’s “Self-Portrait as a Lute Player,” ca. 1615-1618. On view at the.
Lucretia is one of artworks by Artemisia Gentileschi. Artwork analysis, large resolution images, user comments, interesting facts and much more.. The conjecture that the model for writing the body of Lucretia was herself Artemesia, confirmed by the fact that a self-portrait of the artist 1638-1639 years made in almost a similar and rare.
Read this essay on Artemisia Gentileschi. Come browse our large digital warehouse of free sample essays.. Paintings like Judith Slaying Holofernes have sometimes overshadowed Self-Portrait due to their shocking subject matter from a woman at that time. For a woman at the beginning of the 17th century, being a painter represented an uncommon.
Artemisia Gentileschi was clearly proud of the Uffizi Judith Slaying Holofernes, signing it in the lower right corner. In it she demonstrated her mastery of the language of Baroque realism, exploiting its emphasis on proximity to the picture plane, strong chiaroscuro, and realistic details to create an especially potent depiction of the story’s dramatic climax.