Bourriaud's 'Altermodern', an eclectic mix of bullshit.
Activism vs. Antagonism: Socially Engaged Art from Bourriaud to Bishop and Beyond Jason Miller. Where once the socio-political clout of art seemed hemmed in by fashionable theories of aesthetic formalism, today’s artist is engaged in a wide variety of practices, many of them bearing little resemblance to traditional artistic mediums.
Understanding art within the context of cultural production and globalisation: review of Nicolas Bourriaud's The Radicant.
RE:EMERGING, DECENTRING AND DELINKING Shifting the Geographies of Sensing, Believing and Knowing Walter D. Mingolo I The Sharjah Biennial 11 (SB11) was, without a doubt, an unmistakable statement: a signpost of a global shift that cuts across economics, politics, culture, art, aesthetics, religion and sensibilities. But the four spectacular days of SB11’s inauguration (judging by the press.
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Altermodern art is thus read as a hypertext; artists translate and transcode information from one format to another, and wander in geography as well as in history. This gives rise to practices which might be referred to as “time-specific,” in response to the “site-specific” work of the 1960s.
Here Bourriaud explains the term and makes reference to it in the context of the Tate triennial: Altermodern is a term I invented to designate the field of what's next after postmodernism. Actually, it is more of a debate or a negation, and the exhibition is the conclusive process. Altermodern is the cultural answer to what alter-globalisation.
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